Tuesday, January 16, 2018

CPT: Marcia Fudge, County Council, County Judicial Races, US Senate

Cuyahoga Politics Today

New Political Season brings critical choices, questions
What is the value of a Fudge endorsement?
How does Mandel's exit affect GOP Senate Primary?

If it seems that politics is never-ending, that‘s because it’s true. Our interests, and those of our community — however we may define “interests” and “community” — are being negotiated, threatened, defended, or traded away continually by public officials who appear on your ballot. So it behooves us to pay attention to what our public officials do and say.

Consider that in a little less than 72 hours last week, roughly 100 local Democrats chose the newest member of county council and made recommendations for who should get the party’s endorsement in various judicial and legislative primary contests on the May 8 ballot.  Those choices, made in most cases by people you likely don’t know or seldom think of, have consequences with close-to-home effect upon who gets put in jail, where your taxes go, and which sections of our community get treated better than others.

That likely doesn’t sound fair, but it’s the way our democracy works. And if you don’t like it, you have a real chance to change it this year. And if you decide to get involved, you may set in motion positive changes not only for your neighborhood, but for your judicial system, your state government,  your country, and the world.

That’s not hyperbole. It’s the result of living in Cuyahoga County, which still remains the dominant political goldmine in a crucial battleground state.

Democrats hold the lion’s share of offices in Cuyahoga County. Republicans control some of the suburbs, especially those on the county’s outskirts. Though they are largely irrelevant to county politics — their political interests are generally expressed through the business community — the GOP functions pretty much the same way in its spheres, that is to say through a network of volunteer central and executive committees and ex officio  structures that carry great weight in influencing who gets on the ballot.

So last Thursday, 46 of a possible 75 or so precinct committee members who live in County Council District 10 — Cleveland Heights, East Cleveland, University Heights, Bratenahl, and Cleveland Wards 8 and 10, met at Dem Party headquarters to choose a successor to Anthony Hairston, who resigned his county council seat after winning the Cleveland Ward 10 seat vacated by Jeff Johnson, who opted to challenge Mayor Frank Jackson. [Johnson came in third in the September mayoral primary; he’s now running for the State Senate seat he had 20 years ago.]

Successful professional politicians chart their careers and their alliances with great care. Hairston’s county-to-city council switch was in preparation for at least a year, which meant that his council seat was potentially in play for at least that long. Michael Houser, who won the intraparty vote last week to replace Hairston, had long ago secured the latter’s support to replace him. In Cleveland, that would have been sufficient; a councilperson who leaves under honorable circumstances is permitted to designate a successor who is then ratified by the council.

County Council functions under a different set of rules, set by state law. When a vacancy occurs between elections, the successor is chosen by the Party of the outgoing incumbent. Even though the process is different, neither Houser nor Hairston gave much thought to any particular challenger. So Houser moved into an apartment in the district and apparently expected pretty much to waltz in to the seat.

But the unexpected is part of what makes politics so fascinating. Shortly after the November election, Cleveland Heights mayor Cheryl Stephens realized that a power realignment among council members meant that her colleagues were unlikely to reelect her as mayor. Moreover, she was about to leave her job as director of acquisitions, dispositions & development at the County Land Bank to take a job in Akron. Suddenly, she was seen as a preferred alternative to Houser by many party activists.

For starters, Stephens has an accomplished resume as a public official in both elected and managerial roles. Of perhaps greater weight politically, she represented a chance for the Heights forces to regain the seat that had gone to Clevelander Hairston when Julian Rogers had resigned to take a job with Cleveland State.

Stephens was especially appealing as a potential candidate to Congresswoman Marcia Fudge, who has increasingly sought to play a larger role in local politics. Once Stephens was officially offered her new job — as president and CEO of the East End Neighborhood Development Corporation — and prepared to leave the Land Bank, the conflict between her work and the part-time council position evaporated, and she agreed to seek the county council position.

Suddenly, Stephens seemed the favorite to succeed Hairston on county council.

In politics the currency that matters is votes, and so for 45 days or so Houser and Stephens sought to secure commitments from the precinct committee members of District 10. Fudge’s involvement put a strain on political and personal loyalties. Hairston had pledged his support to Houser but wanted to stay in her good graces. Julian Rogers, the Democratic city leader in Cleveland Heights, is tight with Hairston both politically and personally, but with a base that heavily favored Stephens. County Executive Armond Budish is a Fudge political ally but Houser was one of his executive assistants.

This really should have been no contest. Everyone recognizes the weight of a member of Congress. But for some reason, Rep. Fudge has established a track record of making endorsements but failing to put substance and resources behind them. Thus, she made a robocall on Stephens behalf but did not make the dozen or so phone calls that could have secured the seat for Stephens.

The immediate result was a dramatic 24-22 second-round ballot win for Houser at the party headquarters on Superior Ave. But this small episode has other winners and losers.

Stephens’ combination of experience, expertise, and leadership suggest she would have been a formidable representative of District 10 and a valuable asset to the county on all issues related to development and governmental performance. These were stated priorities when the battle was waged and won over reforming county government.

Houser is much more of an unknown quantity. He has long been eager to win elective office but already whispers abound that he will take his orders from County Executive Budish.

Houser takes office immediately and will need to tend his political flanks immediately. The filing deadline for the office is February 7 and a Board of Elections spokesperson has confirmed this seat will be on the May 8th primary ballot, providing an early test of political strength for Houser and any challengers, including possibly Stephens, who is rumored to be considering a run.

A larger issue remains, and it was on display two days after the District vote. What does it mean when the Congresswoman cannot secure a seat for a highly qualified candidate of her choosing over a political novice? Let us note that race was not a consequential factor in this contest; both Houser and Stephens are black. But given that Fudge has chosen increasingly to involve herself in local party politics — she pushed for the election of Shontel Brown as local party chair; she has taken early sides in several  state legislative battles, even supporting challengers over incumbents — her constituents are entitled to question her end game.

This is no idle question. There are four open countywide judicial seats in this year’s election cycle. There are no black or Hispanic male judges on the county bench. Five African Americans and one Hispanic — three men, three women — are among the competitors for the four seats. Fudge is widely regarded to have negotiated with some party powers to secure endorsements of two black women lawyers in their respective races. Yet when forty city and ward leaders from across the county met last Saturday to present recommendations to the party’s Central Committee, which will meet this Saturday to act on those recommendations, not a single judicial candidate of color received a recommendation, and Fudge’s two choices were defeated handily.

We will explore this issue in tomorrow’s post.

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Last week brought news that State Treasurer Josh Mandel, possibly the least-liked state public official of this century, was ending his campaign to win the GOP nomination for US Senate and challenge incumbent US Senator Sherrod Brown. Mandel was expected to defeat his challenger for the nomination, wealthy Cleveland businessman Mike Gibbons. But Mandel withdrew citing an undisclosed medical issue concerning his wife.

Gibbons does not have a clear field, however. Congressman Jim Renacci, who was in the midst of an uphill battle for the GOP gubernatorial nomination against Ohio Attorney General Mike DeWine and Lt. Governor Mary Taylor, is now shifting over to the Senate race.

Gibbons is a relative unknown politically. He will be a guest tonight on “Race Relations in America with Laverne and Jack”, which airs Tuesdays from 6-7PM on WERE TalkCLE Radio 1490/AM.

Mandel was such a distasteful candidate — he specializes in ugly campaigns — but it seems that he will be replaced by another Trumpster.

While we are on the subject of that Senate contest, we understand why many Republicans don’t like to talk about the racist who heads their party. But we would like to hear what our own Ohio Senators, Sherrod Brown and Rob Portman, think about Trump’s “s***hole countries” comment.

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Thursday, December 07, 2017

The Amen Corner seeds start of new black theater district

James Baldwin classic marks hopeful emergence of new black theater district


By Prester “Shake Spear” Pickett, M.F.A.


A strong cast anchors the inauguration of Powerful Long Ladder Ensemble company in The Amen Corner, which runs through a matinee performance Sunday, December 10 at the new Holy Trinity Cultural Arts Center.
[Mychal Lilly Photography]

The Holy Trinity Cultural Arts Center (HTCAC) at 7209 Woodland Avenue is almost a quarter in blocks east of what was once known as “The Double Nickel,” or East 55th Street. This part of Cleveland was once known as “The Forgotten Triangle.” Today, in the midst of all of the historical geographic descriptions, a ticket to Holy Trinity's production of The Amen Corner will bring you to a place that Holy Trinity's pastor, Dr. Andrew D. Clark, has rechristened “the new Black Theater District.”

Director Terrence Spivey, left,
founder of Powerful Long Ladder Ensemble
theater company, with Holy Trinity COGIC
pastor Andrew D. Clark.
[Mychal Lilly Photography]
HTCAC has united with Powerful Long Ladder Ensemble's artistic vision in an embrace of “the belief that theatrical arts hold transformative potential.” In many ways, they have combined efforts to find in James Baldwin’s classic work a balm in Gilead that can heal the sin-sick soul. This Terrence Spivey-directed piece takes you to church, the one where foot stomping, hand clapping, and harmonizing voices usher you into a devotion without the contemporary accouterments of state-of-the-art technological alterations.

The Amen Corner plot is centered around Sister Margaret, convincingly played by Jeanine Gaskin.  The December 1 opening night saw Gaskin find every dimension of black womanhood as a sister, loving spouse, and mother despite the conditions of hardships and estrangements. As Margaret pastors a congregation that is critical of her leadership because she is a single woman, you are forced to watch the play and think about the type of challenge that a woman pastor might have faced during the time when Rosa Parks declined to relinquish her seat on that Cleveland Avenue bus. The need to contrast that thought with the fact that opposition to women in the pulpit still exists today soon follows.

Much like many of the storefront churches that developed in Cleveland in response to the great migration after the end of World War I with a fight abroad, this play highlights the fight at home that took place against the warring idea of separate but equal. While it concentrates on the life of a particular family, it reminds us of racism’s serious and lasting impact and may inspire audiences to consider opening history books as well as bibles.

Praise the Lord and put out the Preacher!
[Mychal Lilly Photography]

The set of Margaret's church is framed on the basement stage of Holy Trinity C.O.G.I.C. The home that she shares with her sister is thrust in front of the church scene and slightly elevated above the main floor with the audience. Unfortunately, the structure of the basement causes a concerning acoustics problem that sometimes obscures the dialogue. But, eventually the arrangement is accepted when the consideration of all of the other dynamics of community theater are understood to be at work on the foundational level of this theater as a work in progress.

Sister Margaret and her husband are confronted by
the challenges of work, marriage, and parenthood.
[Mychal Lilly Photography]

The realization that community theater evolves because the people recognize a need to tell their own story empowers the overall experience with this off-Broadway, or for us off-Euclid, encounter. The relevance of this piece speaks to conditions that are still the same today as they were in the past.  

Discussions about infant mortality and poverty are as traumatizing today as they were yesterday. However, the references to the impact of racism with this Baldwin relic directs a closer attention on how we survived versus how we were oppressed. The human experience of a son's longing for his father in his life is portrayed through contrasting dimensions in the developing craft of Kali Hatten, who plays  a teenaged David against the very seasoned Peter Lawson Jones, who portrays his father. Jones encourages the audience to extend to his character both sympathy and empathy in regard to his life's choices and indecisions.

Just like East 55th Street, this play attempts to present both sides of two coins—the religious and the secular with gosel and jazz as well as the young and the old amidst the struggles between righteousness and hypocrisy.  Meanwhile, the play gives several opportunites to reflect on popular bible verses anchored in the churchgoer and practical to a first-time visitor. Another comfort with the play are the clever inserts of familiar gospel songs coached by Sharolyn Ferebee and delivered by groomed voices that transition scenes to a new sequence of emotions.

Cleveland's collective memory of the days when churches fellowshipped with each other with regular concerts, socials, and even plays approach a renaissance in Cleveland with an ensemble with strong supporting actors that make moments both heavy and light. The discussion of Mt. Sinai Ministries advancing a production of A Raisin in the Sun adds to the emergence of a new Black Theater District in Cleveland on Woodland Avenue and give those interested in Black Theater a great alternative. In the meantime, there remain a few days of the doors being open for church and theater with The Amen Corner which is scheduled through this Sunday, December 10.

Prester Pickett is director of The Howard A. Mims African American Cultural Center at Cleveland State University.

SHOW TIMES: Thursday - Saturday - 7:30PM; Saturday Matinee - 1PM; Sunday Matinee - 3PM. For more information call 216.417.4571 or email Trinity.Boxoffice@gmail.com.

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