Friday, September 25, 2020

Nate’s Northcoast Notes • Asian Lantern Festival closes Oct. 4

Art Museum and Rock Hall to MIX it up Oct. 2 at virtual dance party | Life of John Lewis celebrated in documentary this weekend

By Nate Paige


The annual Asian Lantern Festival at Cleveland Metroparks Zoo runs through Oct. 4 this year.
(Photo by Kyle Lanzer/Cleveland Metroparks)

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Premiere of CNN documentary “John Lewis: Good Trouble” – (September 27)





This Sunday, September 27 at 9PM ET, CNN will premiere the documentary, “John Lewis: Good Trouble,” an in-depth look at the life of the celebrated civil rights activist and Congressional stalwart. Directed by award-winning director Dawn Porter (Trapped, Gideon’s Army), the film chronicles Lewis’s life through behind-the-scenes footage, archival materials and interviews including family members, Xernona Clayton, Rev. James Lawson, Rep. James Clyburn, Ambassador Andrew Young, Senator Cory Booker, House Speaker Nancy Pelosi, Bill and Hillary Clinton, former Attorney General Eric Holder and many more.  An official selection of the 2020 Tribeca Film Festival, the documentary will air again on Saturday, October 3 at 9PM ET.

 

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MIX: Amplify – October 2 via Zoom



MIX, the Cleveland Museum of Art’s ultimate monthly networking event, returns for another virtual dance party Friday, October 2 at 8PM via Zoom. The theme for October, AMPLIFY, celebrates the power of music and art when it comes to promoting social justice and combating racism through messages of rage, hope and protest.  DJ Vikter Duplaix’s live set will provide the tunes, and choreographer Samuel McIntosh of 10K Movement will present a showcase of a variety of street dance styles.  Video art courtesy of Wil Frierson.  

MIX: Amplify, a collaboration between the Cleveland Museum of Art and the Rock and Roll Hall of Fame, is inspired by the Rock Hall’s current exhibition, “It’s Been Said All Along: Voices of Rage, Hope & Empowerment.” Click here to register.

 

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Asian Lantern Festival at Cleveland Metroparks Zoo – (Weekends through October 4)


Photo by Kyle Lanzer/Cleveland Metroparks


If you’ve been procrastinating about getting to the Cleveland Metroparks Zoo for the Asian Lantern Festival, you’re running out of time.  The Festival closes October 4. Now in its third year, this year’s display consists of more than 1,000 lanterns and 70 new displays.  There are also new acrobatic acts, interactive experiences, and culturally inspired food options including select fare from Li Wah and King Wah restaurants.
Experience the spectacle on foot or take advantage of the drive-through option.  Tickets are still available for the following dates:  September 25, 26 and October 1 and 2 from 6:30-10:30PM. Ticket sales each night will be limited, to adhere to social distancing guidelines. 

Admission to the Lantern Festival ($18-$22) is separate from Zoo admission but does allow entry to the Dinosaurs Around  the World: The Great Outdoors Exhibition.  Advance reservations are strongly suggestedFor more information, click here.



Is there an upcoming event you’d like included in this column? Please send the details, along with a high-resolution photo/graphic, to northcoastnotesATtherealdealpress.com at least two weeks prior to the event.


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Wednesday, September 23, 2020

Cleveland now ranks as the poorest big city in the United States

By Ohio Capital Journal Staff

Tommy Greer, 34, fishes in the Cuyahoga River with a background of downtown Cleveland in this
2014 photo. (Photo by Jeff Swenson/Getty Images)


Cleveland had the highest poverty rate among large U.S. cities in 2019, overtaking Detroit, according to data released by the U.S. Census bureau last week. The data for the ranking is from 2019, before the coronavirus pandemic exacerbated problems related to poverty in Ohio and around the country.

The Cleveland-based Center for Community Solutions reported in a post Monday that although Cleveland’s overall poverty rate fell from 33.1% to 30.8% from 2018 to 2019, Detroit’s rate fell faster and is now just barely below Cleveland’s at 30.6%.

“These estimates are close enough to be within the margin of error — but no matter the rankings, it is clear that Cleveland is a high-poverty city,” the Community Solutions center noted in the post.

In 2019, more than 114,000 people lived in poverty in Cleveland, including 37,700 children and nearly 12,000 older adults, the statistics show.

Cleveland remained dead last among large cities in child poverty, with 46.1% of children in the city living in poverty in 2019.

“More than 6,500 of those adults in poverty in Cleveland worked full-time for the full year, but did not earn enough to propel them above the poverty threshold,” the post noted.

The post said the 2019 data shows a continuation of another concerning trend: an increase in poor seniors. The number and share of people over age 65 who live in poverty grew in Cleveland to 22.7%. Meanwhile, Detroit’s senior poverty rate fell to 18.8%. Cleveland rose one spot from being third-worst in older adult poverty to second, tied with Boston, Massachusetts,  and Tampa, Florida. Only Miami, Florida is worse.

As shown below, poverty estimates fell for all other age groups between 2018 and 2019.

“These changes are not statistically significant, and the data was collected in 2019, well before the COVID-19 pandemic and its resulting economic downturn,” the post noted.

Ohio is the only state with more than one city with a population of more than 300,000 in ranking in the top 10 poorest big cities with Cincinnati maintaining its ranking at sixth.

“Even before COVID-19, this data shows that thousands of our neighbors struggled last year during a time of record unemployment,” the post said. “Today, there are more than twice as many unemployed people in Cuyahoga County as there were a year ago when this data was collected.”

About 40% of Ohioans report either they, someone in their households or both have lost a job since March 13.

“Early information suggests that federal assistance, such as stimulus payments and extra unemployment benefits, kept many of those people from falling into poverty during the first months of the pandemic,” the post concluded. “But as that extra help expired over the summer and thousands of Ohioans are still unable to find work, we suspect that poverty may rise quickly. Similar data for 2020 will not be available until next fall.”

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This story is provided by Ohio Capital Journal, a part of States Newsroom, a national 501 (c)(3) nonprofit. See the original story here.



Monday, September 21, 2020

DeWine: 70% of Ohioans in counties with increased COVID-19 spread

 By Jake Zuckerman

A surgical mask and an N95 mask hang on display for sale at a pharmacy. Photo by Sean Gallup/Getty Images.

About 70 percent of Ohioans are living in a county with increased levels of COVID-19 exposure and spread, according to the state’s Public Health Advisory System.

While a few counties have receded from “red” status (“very high exposure and spread”), the system — based on a series of inputs like infection rates, emergency room and outpatient health visits — shows a virus slowly making its way into Ohio’s rural counties.

More than an abrupt boiling over, the PHAS depicts Ohio as a pot, gradually rising to a simmer.

“We just can’t seem to get the number of new cases down,” Gov. Mike DeWine said Thursday. “Really, what you’re seeing is the spread of the virus over the state.”

Over the past week, the Ohio Department of Health has reported an average of about 1,000 residents newly infected per day and about 28 dying from those infections per day.

That’s about on par with early-July levels of spread. However, a newly resumed K-12 and college school year, a looming return of Big Ten football, and fall weather driving residents indoors could all swing the epidemic curves.

Nearly 144,000 Ohioans have contracted COVID-19, according to Sunday state data. Nearly 15,000 have been hospitalized with the disease, and 4,600 have died.

Nationally, about 7 million Americans have been infected as the death toll landed just shy of 200,000, according to Johns Hopkins University data accessed Sunday.

Ohio’s test positivity rate — the proportion of tests taken that return with positive results — continues to trend downward this week. As of Friday, it averaged out at 3%, well below July highs toward 6%.

The heaviest caseloads remain in Ohio’s most populous counties.

However, population adjusted data shows in the last two weeks, Ohio’s hardest hit counties are Putnam, Mercer, Athens, Harrison and Shelby.

State-by-state data from The New York Times shows Ohio is, comparatively, faring well. It has avoided categorization as a hotspot state to date.

At Ohio State University, more than 2,600 students have contracted COVID-19 between Aug. 14 and Sept. 7, according to university data.

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This story is provided by Ohio Capital Journal, a part of States Newsroom, a national 501 (c)(3) nonprofit. See the original story here.

Ruth Bader Ginsburg helped shape the modern era of women’s rights

Reflections on RBG and her strategic assault on stereotypes

 


Justice Ruth Bader Ginsburg died on Friday, the Supreme Court announced.

Chief Justice John Roberts said in a statement that “Our nation has lost a jurist of historic stature.”

Even before her appointment, she had reshaped American law. When he nominated Ginsburg to the Supreme Court, President Bill Clinton compared her legal work on behalf of women to the epochal work of Thurgood Marshall on behalf of African-Americans.

The comparison was entirely appropriate: As Marshall oversaw the legal strategy that culminated in Brown v. Board of Education, the 1954 case that outlawed segregated schools, Ginsburg coordinated a similar effort against sex discrimination.

Decades before she joined the court, Ginsburg’s work as an attorney in the 1970s fundamentally changed the Supreme Court’s approach to women’s rights, and the modern skepticism about sex-based policies stems in no small way from her lawyering. Ginsburg’s work helped to change the way we all think about women – and men, for that matter.

I’m a legal scholar who studies social reform movements and I served as a law clerk to Ginsburg when she was an appeals court judge. In my opinion – as remarkable as Marshall’s work on behalf of African-Americans was – in some ways Ginsburg faced more daunting prospects when she started.

When Marshall began challenging segregation in the 1930s, the Supreme Court had rejected some forms of racial discrimination even though it had upheld segregation.

Starting at zero

When Ginsburg started her work in the 1960s, the Supreme Court had never invalidated any type of sex-based rule. Worse, it had rejected every challenge to laws that treated women worse than men.

For instance, in 1873, the court allowed Illinois authorities to ban Myra Bradwell from becoming a lawyer because she was a woman. Justice Joseph P. Bradley, widely viewed as a progressive, wrote that women were too fragile to be lawyers: “The paramount destiny and mission of woman are to fulfill the noble and benign offices of wife and mother. This is the law of the Creator.”

And in 1908, the court upheld an Oregon law that limited the number of hours that women – but not men – could work. The opinion relied heavily on a famous brief submitted by Louis Brandeis to support the notion that women needed protection to avoid harming their reproductive function.

As late as 1961, the court upheld a Florida law that for all practical purposes kept women from serving on juries because they were “the center of the home and family life” and therefore need not incur the burden of jury service.

Challenging paternalistic notions

Ginsburg followed Marshall’s approach to promote women’s rights – despite some important differences between segregation and gender discrimination.

Segregation rested on the racist notion that Black people were less than fully human and deserved to be treated like animals. Gender discrimination reflected paternalistic notions of female frailty. Those notions placed women on a pedestal – but also denied them opportunities.

Either way, though, Black Americans and women got the short end of the stick.

Ginsburg started with a seemingly inconsequential case. Reed v. Reed challenged an Idaho law requiring probate courts to appoint men to administer estates, even if there were a qualified woman who could perform that task.

Sally and Cecil Reed, the long-divorced parents of a teenage son who committed suicide while in his father’s custody, both applied to administer the boy’s tiny estate.

The probate judge appointed the father as required by state law. Sally Reed appealed the case all the way to the Supreme Court.

Ginsburg did not argue the case, but wrote the brief that persuaded a unanimous court in 1971 to invalidate the state’s preference for males. As the court’s decision stated, that preference was “the very kind of arbitrary legislative choice forbidden by the Equal Protection Clause of the 14th Amendment.”

Two years later, Ginsburg won in her first appearance before the Supreme Court. She appeared on behalf of Air Force Lt. Sharron Frontiero. Frontiero was required by federal law to prove that her husband, Joseph, was dependent on her for at least half his economic support in order to qualify for housing, medical and dental benefits.

If Joseph Frontiero had been the soldier, the couple would have automatically qualified for those benefits. Ginsburg argued that sex-based classifications such as the one Sharron Frontiero challenged should be treated the same as the now-discredited race-based policies.

By an 8–1 vote, the court in Frontiero v. Richardson agreed that this sex-based rule was unconstitutional. But the justices could not agree on the legal test to use for evaluating the constitutionality of sex-based policies.


Strategy: represent men

In 1974, Ginsburg suffered her only loss in the Supreme Court, in a case that she entered at the last minute.

Mel Kahn, a Florida widower, asked for the property tax exemption that state law allowed only to widows. The Florida courts ruled against him.

Ginsburg, working with the national ACLU, stepped in after the local affiliate brought the case to the Supreme Court. But a closely divided court upheld the exemption as compensation for women who had suffered economic discrimination over the years.

Despite the unfavorable result, the Kahn case showed an important aspect of Ginsburg’s approach: her willingness to work on behalf of men challenging gender discrimination. She reasoned that rigid attitudes about sex roles could harm everyone and that the all-male Supreme Court might more easily get the point in cases involving male plaintiffs.

She turned out to be correct, just not in the Kahn case.

Ginsburg represented widower Stephen Wiesenfeld in challenging a Social Security Act provision that provided parental benefits only to widows with minor children.

Wiesenfeld’s wife had died in childbirth, so he was denied benefits even though he faced all of the challenges of single parenthood that a mother would have faced. The Supreme Court gave Wiesenfeld and Ginsburg a win in 1975, unanimously ruling that sex-based distinction unconstitutional.

And two years later, Ginsburg successfully represented Leon Goldfarb in his challenge to another sex-based provision of the Social Security Act: Widows automatically received survivor’s benefits on the death of their husbands. But widowers could receive such benefits only if the men could prove that they were financially dependent on their wives’ earnings.

Ginsburg also wrote an influential brief in Craig v. Boren, the 1976 case that established the current standard for evaluating the constitutionality of sex-based laws.

Like Wiesenfeld and Goldfarb, the challengers in the Craig case were men. Their claim seemed trivial: They objected to an Oklahoma law that allowed women to buy low-alcohol beer at age 18 but required men to be 21 to buy the same product.

But this deceptively simple case illustrated the vices of sex stereotypes: Aggressive men (and boys) drink and drive, women (and girls) are demure passengers. And those stereotypes affected everyone’s behavior, including the enforcement decisions of police officers.

Under the standard delineated by the justices in the Boren case, such a law can be justified only if it is substantially related to an important governmental interest.

Among the few laws that satisfied this test was a California law that punished sex with an underage female but not with an underage male as a way to reduce the risk of teen pregnancy.

These are only some of the Supreme Court cases in which Ginsburg played a prominent part as a lawyer. She handled many lower-court cases as well. She had plenty of help along the way, but everyone recognized her as the key strategist.

In the century before Ginsburg won the Reed case, the Supreme Court never met a gender classification that it didn’t like. Since then, sex-based policies usually have been struck down.

I believe President Clinton was absolutely right in comparing Ruth Bader Ginsburg’s efforts to those of Thurgood Marshall, and in appointing her to the Supreme Court.
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The Conversation

Jonathan Entin is Professor Emeritus of Law and Adjunct Professor of Political Science, Case Western Reserve University

This article is republished from The Conversation under a Creative Commons license. Read the original article.


Sunday, September 20, 2020

Bedford mural is tribute to city's Underground Railroad history

Mural is Graffiti HeART's latest offering in mission to meld art and community

By Dairian Heard

SPECIAL TO THE REAL DEAL PRESS

Road to Freedom, unveiled in Bedford, Ohio this month celebrates the Underground Railroad

Community art seems to be an emerging phenomenon in black communities, albeit one too often associated with memorializing victims of violence. The spontaneous memorial that arose at the gazebo where 12 year old Tamir Rice was gunned down by a Cleveland police officer is one local example. More recently, a well-publicized mural was created in Minneapolis, Minnesota after George Floyd was lynched by police in broad daylight on a city street.

These community expressions are not all sad markers of racial assaults. They can also be testimonials of more glorious moments of black history.

That was the inspiration behind Greater Cleveland's latest mural, "Road to Freedom", a 40-foot long, ten foot high ode to the valorous history of the Underground Railroad. The mural was unveiled in the city of Bedford on Saturday, Sept. 12, a project led by Graffiti HeART, with support from the Bedford Downtown Alliance and Crossroads Universal, Inc.


Stamy Paul

Graffiti HeArt is a charitable grassroots organization founded in 2013 by Stamy Paul. A tax-exempt group funded by donations and run by an all-volunteer eight member board, Paul's original intent was to provide a platform for artists in the area to be commissioned for their work. Over time, this mission evolved into inspiring health and art in the Greater Cleveland area. This wider focus has led Graffiti HeART to expand to public and private mural art — in Paul's words, to "promote artists and bring the stage to them."

The journey to the "Road to Freedom" mural began with the Black Lives Matter street mural on East 93rd St. near Union Ave. on Cleveland's southeast side. Paul had already been inspired by the BLM mural in Washington DC on what is now Black Lives Matter Plaza. With the support of Cleveland Ward 6 councilman Blaine Griffin, plans for the street mural quickly got underway. The day the mural was created was the day Paul met the three young black artists — Stina Aleah, Davon Brantley, and Christa Freehands — who would collectively be responsible for the Bedford mural project.

"I knew I wanted all Black artists on this mural," Paul told The Real Deal Press during an interview. Paul did have some hesitation as the project was being finalized. The three artists were strangers to one another despite having worked together on a prior project. Nonetheless, all signed on after a phone conversation.

Paul's apprehensions disappeared as she observed the team members' work ethic and collaborative energy. They "totally exceeded my expectations and, I think, their own. I fell in love with them and their spirits. They all were so dedicated to the project. They were up bright and early without hesitation," she said of the artists during the production phase.

The September 12 unveiling began with representatives from the Bedford Downtown Alliance acknowledging all participants. Mayor Stan Koci, Matt Stewart of Crossroads Universal and Stamy Paul of Graffiti HeART addressed a crowd of perhaps forty onlookers and thanked the artists for their work in bringing Julius Caesar Tibbs to life.

Born a slave in Virginia, Tibbs ran away via the Underground Railroad and came to Bedford, where he was found in a large hollow tree by a farm owner who provided him with food and shelter.

This episode is now consecrated on the side of a building that sits along the same local railroad tracks that Abraham Lincoln once traveled in 1861 en route to his inauguration. Bedford was known at the time for strong anti-slavery sentiment, which may be why Lincoln stopped for brief remarks and why the municipality became a stop on the Underground Railroad.

The Artists

Road to Freedom artists, from left, Stina Aleah, Davon Brantley and Christa Freehands

After the ribbon-cutting, the artists took turns speaking with the crowd and sharing their stories. Stina Aleah began by giving an overview of the mural itself, noting the depictions of Harriet Tubman, Frederick Douglass, and Tibbs. She said the path to her career began in 2015 with a high school art class she enrolled in after suffering a sports injury.

Stina quickly took a liking to art. "It kept calling me," she said. Starting out as an oil painter, she now works in a variety of media.

Christa Freehands told the crowd she was always interested in art. Both of her parents were artists and she recalled doing arts and crafts as a child. She said it was something she "always found comforting."

Like Christa, Davon Brantley has been an artist since childhood. He recalled being reprimanded for sketching during class and mentioned a time he was almost expelled for selling his artwork in the hallway. He joked about "hustling" off his work. When he said, "I wanted to do art, so I was going to teach myself by any means," his passion was evident.

Graffiti HeART

Graffiti HeART, the lead sponsor of the Bedford mural, celebrates artists of all ages and backgrounds. Through scholarships funded by the Cleveland Institute of Art (CIA) and donations, Graffiti HeART has extended support to young artists, including a nine year old photographer. It selects students through a blind portfolio process it conducts with CIA where the only personal information disclosed is the applicant's hometown. Graffiti HeArts wants both local and out-of-state applicants in its search for young, diverse artists from Cleveland and beyond.

The "Road to Freedom" mural can be found at 90 Willis Road, Bedford [44146]. Visit here for more information on Graffiti HeART.

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